Various Media
3 May 2013 23:28Saw Iron Man 3, liked basically everything about it immensely and have no real comment. Except there needs to be Rhodey/Pepper/Tony fic, and plenty of it.
Picked up Ruse: The Victorian Guide to Murder by Mark Waid with lines by Mirco Pierfederici and Mink Oosterveer, and was kind of meh on it. I haven't read any of the old Crossgen stuff, but I like Waid, so I gave it a go. It was fine, I guess. The art was nice, and the plot was moderately good, but in the end I didn't really care much about the characters. There's nothing in this that makes the Male Victorian Detective and his Female Partner/Assistant/Handler plot feel at all fresh. It just kind of plodded along, hitting all the notes, I guess, but not really moving me.
I really liked, however, Here If You Need Me: A True Story by Kate Braestrup, which was the memoirs of a chaplain to the Maine State Parks Service. I think above all else the style dragged me in. It's funny because the reliance on metaphor and non-linear storytelling drove me buggy in my last book (Lighthousekeeping), but I felt it really worked here. It reflected how we don't live linear lives because of all the memories and connections and stories we tell, and for the memoirs of a chaplain, who exists by connections and stories, it was perfect, plus the author is REALLY funny.
I also really liked the author's call to service in a very practical way, I loved the bit where she was studying Iranaus' writing on Christ divinity and saying, "Yes, fine, but what do I do?" I the conclusions that she came to about where God is in times of tragedy (in the hands of the humans holding you up, much like that Mr. Rogers quote that was going around recently).
A lot of the story is about transition, and about mourning, and that was beautifully and unflinchingly written. How unbearable that is, and how others carry us through. I loved her relationship with her kids, and the rest of her family, the hypothetical and sceptical e-mails from her agnostic brother.
Mostly though, I loved reading about how people carry each other along, and find compassion and grace in the worst times. The author tells a story about how she comforted a man whose sister had killed herself, and her words to him moved me to tears. That is the kind of God I want to see working in the world.
(On a side note, there's a casual side-swipe at Islam that I didn't really appreciate. It's only about a page long, and it's more ill-informed than anything, but it really didn't fit the tone of the rest of the book).
Picked up Ruse: The Victorian Guide to Murder by Mark Waid with lines by Mirco Pierfederici and Mink Oosterveer, and was kind of meh on it. I haven't read any of the old Crossgen stuff, but I like Waid, so I gave it a go. It was fine, I guess. The art was nice, and the plot was moderately good, but in the end I didn't really care much about the characters. There's nothing in this that makes the Male Victorian Detective and his Female Partner/Assistant/Handler plot feel at all fresh. It just kind of plodded along, hitting all the notes, I guess, but not really moving me.
I really liked, however, Here If You Need Me: A True Story by Kate Braestrup, which was the memoirs of a chaplain to the Maine State Parks Service. I think above all else the style dragged me in. It's funny because the reliance on metaphor and non-linear storytelling drove me buggy in my last book (Lighthousekeeping), but I felt it really worked here. It reflected how we don't live linear lives because of all the memories and connections and stories we tell, and for the memoirs of a chaplain, who exists by connections and stories, it was perfect, plus the author is REALLY funny.
I also really liked the author's call to service in a very practical way, I loved the bit where she was studying Iranaus' writing on Christ divinity and saying, "Yes, fine, but what do I do?" I the conclusions that she came to about where God is in times of tragedy (in the hands of the humans holding you up, much like that Mr. Rogers quote that was going around recently).
A lot of the story is about transition, and about mourning, and that was beautifully and unflinchingly written. How unbearable that is, and how others carry us through. I loved her relationship with her kids, and the rest of her family, the hypothetical and sceptical e-mails from her agnostic brother.
Mostly though, I loved reading about how people carry each other along, and find compassion and grace in the worst times. The author tells a story about how she comforted a man whose sister had killed herself, and her words to him moved me to tears. That is the kind of God I want to see working in the world.
(On a side note, there's a casual side-swipe at Islam that I didn't really appreciate. It's only about a page long, and it's more ill-informed than anything, but it really didn't fit the tone of the rest of the book).